In a dramatic twist that’s sending shockwaves across Ghana’s gospel music industry, veteran gospel songstress Esther Smith has publicly backed fellow artist Cwesi Oteng, following his claims of spiritual attacks and sabotage by colleagues in the industry.
Cwesi Oteng recently appeared on Joy Prime’s Changes, where he gave an emotional and eye-opening account of the spiritual warfare he faced after breaking into the gospel scene with his genre-defying music. According to him, some gospel musicians and industry insiders, threatened by his rise and unique sound, allegedly took his debut album to cemeteries and other spiritual places in an attempt to halt his success.
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He explained that his arrival felt like a threat to the status quo, leading to envy and spiritual resistance, especially from individuals who couldn’t understand his musical style or the swift impact he made with songs like I Win and God Dey Bless Me.
Esther Smith Adds Her Voice: “The Industry Is Pure Evil”
Following his revelations, Esther Smith, a respected and long-standing figure in Ghana’s gospel music landscape, took to Facebook to echo his sentiments—and even took things a step further.
In her heartfelt post, she wrote:
“Hmmm this industry. You see, if you are genuine, they will fight and deal with you until you give up… It’s long time ooo, sometimes they can work through your relationship, your financials, even your health.”
Her words confirmed what many have only whispered about: that spiritual sabotage, jealousy, and manipulation are not uncommon in the gospel music space. Esther Smith described the industry as “pure evil” and urged genuine gospel ministers to pray without ceasing, emphasizing that staying spiritually grounded is the only way to survive.
“If I tell you what I went through and what I am going through, you will feel sorry for me. But I know my Redeemer lives,” she added.
Gospel Music or Spiritual Battlefield?
While some social media users call for Cwesi Oteng to mention names, others are shocked but not entirely surprised. The revelations have sparked a broader conversation about what goes on behind the scenes in the Ghanaian gospel music industry—an industry many associate with light, truth, and spiritual healing.
What happens when the environment meant to uplift becomes a battlefield for egos, envy, and dark spiritual practices?
Esther Smith’s support has given more weight to Cwesi Oteng’s account. It also validates the experiences of countless other gospel artists who may have suffered in silence, afraid to speak out for fear of ridicule or rejection
A Wake-Up Call for the Gospel Industry
This unfolding drama serves as a wake-up call to believers, fans, and industry players alike. There’s a need for more honesty, support, and spiritual integrity within the gospel fraternity. Gospel music is supposed to be a ministry, not a competition.
In the midst of it all, both Cwesi Oteng and Esther Smith remain resilient. They have turned their pain into purpose and their suffering into songs that continue to bless lives. Cwesi’s new release, Favour is a powerful reminder to every believer that God’s grace still abounds, regardless of the battles we face—seen or unseen.
The gospel industry in Ghana is currently under the microscope, and rightfully so. These stories should not be taken lightly. Whether or not you believe in spiritual manipulation, one thing is clear: the call to prayer, integrity, and unity in the gospel space has never been louder.
As more artists begin to speak up, one can only hope that these revelations will lead to cleansing, healing, and a renewed sense of purpose in an industry that’s meant to bring light—not darkness.